The year’s over and we are never one to miss a party. So here is Folk101’s picks for the ten best albums of 2006 and, briefly, our reasons for choosing these records.
1. Tom Waits, Orphans: Brawlers, Bawlers and Bastards
This album is on basically everyone’s Top 10 list, and deservedly so. However, I have not yet found anyone ranking it as #1. The reason Mr. Waits tops our list this year is that he has produced the most eclectic, progressive, poetic and thought-provoking album of the year. Even amongst a legendary body of work such as his, this album stands out as one of his most powerful artistic statements.
2. Kris Delmhorst, Strange Conversation
In our opinion, probably the most underrated album of the year. First, Delmhorst’s voice is magical. Second, the concept of acknowledging literature’s far-reaching influence on music is a worthy and productive endeavor. She is, however, pretty much a folk musician through-and-through, thus it is always tough to get any mainstream recognition.
3. The Decemberists, The Crane Wife
The gang from Portland makes their major label debut and somehow prevented their musical product from suffering. This album is their most diverse songwriting effort to date, and it grows on the listener with each new listen. The story-songs are still fresh, funny and tragic, while the catchy arrangements will implant themselves in your brain.
Sorry Neko Case, but the one-man band Beirut (a.k.a. Zach Condon) wins my award for most impressive voice of the year. This album presents listeners with an enthralling mix of Eastern European and Southern California aesthetics. His songs are like those little Russian dolls, each musical layer gives way to another more intricate element. Plus, Condon’s voice would make any babushka weep.
Another great one from the living legend himself, and here at Folk101 we definitely believe that this record was among the year’s best. This is despite the fact that we also feel that Bob sometimes gets a bit of a free pass these days. His latest record, however, is witty, introspective and an important addition to the Dylan catalogue. It also features what is probably his strongest backing band ever, and a welcome return to topical songwriting by the master.
6. Psapp, The Only Thing I Ever Wanted
To us, it is truly shocking that this album has not appeared on any “best of” lists that we have read so far. These quirky London musicians have a penchant for integrating a mind-boggling array of sounds into their songs and a true talent for creating arresting melodies. They have generated some buzz in underground circles, but this record has a real chance of becoming their break-out record. By this time in 2007, this band could be everywhere.
7. Neko Case, Fox Confessor Brings The Flood
We are in love with Neko for several reasons. Regardless of what we said about Beirut, her voice could make the most hard-boiled cowboy melt. Fox Confessor sees her reaching a new level of song-writing craftsmanship. These songs are compelling, beautiful and challenging for listeners. Moreover, this is her most mature album to date, where she seems most aware and comfortable with her voice and strengths as a musician.
8. The Handsome Family, Last Days of Wonder
Another album that has been widely overlooked. The past year saw seasoned alt-country veterans Brett and Rennie Sparks produce their strongest album to date. Rennie’s lyrics are poetic, hilarious and, at times, flat out weird. Nevertheless, when they are coupled with Brett’s buttery baritone and his eclectic arrangements, the result is a record that is inherently listenable. The album features a song about Nikola Tesla. What more could you want?
9. Bruce Springsteen, We Shall Overcome: The Seeger Sessions
The Boss was back in a big way this year. We Shall Overcome is noteworthy not only for its spontaneity and unrelenting energy, but also for the subtle protest hidden between the lines. Springsteen’s voice comes across as rough and poignant, while the arrangements remind the listener of how alive and relevant folk music remains even today.
10. Jenny Lewis with The Watson Twins, Rabbit Fur Coat
Fortunately, this album has made a lot of year-end lists, despite the fact that it was released in January. However, after one listen, it is not easily forgotten. Lewis’ talents as a songwriter are vastly underappreciated. Her lyrics are quirky, smart and playful. At the same time, she possess the perfect country voice: sweet, sexy and subtly brilliant.
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